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6:30pm Show | 60-70 minute performance | Doors open at 5pm |
Food and Beverages will be served from 5pm -7:30pm, separate from music fee.
8:30pm Show | 60-70 minute performance | Doors open at 8:00pm |
Food and Beverages will be served from 8:00pm -10:00pm, separate from music fee.
DANA MURRAY, ERIC REVIS, DARIUS JONES
Drummer – Dana Murray
As a native of Omaha, I began gigging wherever and whenever I could, including street corner performances. In the mid-’90s, I moved to Boston to attend the Berklee College of Music on scholarship. Shortly thereafter, on the advice of jazz legends Max Roach and Victor Lewis, I moved to the center of the jazz universe, New York City. From the mid-’90s to the early ‘00s, I became as involved as I could in the jazz scene. I had the pleasure of touring the world with Wynton Marsalis and began gigging and recording with the likes of Donald Byrd, Jimmy Witherspoon, Roy Hargrove, Sherman Irby, Marc Cary and Russell Gunn to name a few.
During my time in New York, I also found the time to play in several Broadway shows, including the rock opera “Tommy”… I tried not to limit myself to jazz. I toured with the Soul Trance band, Topaz and in support of jam band stalwarts Widespread Panic, performed with Atlantic Records’ WaxPoetic alongside Norah Jones and Steely Dan singer Carolyn Leonhard. In 2000, I founded Reallive, a cutting-edge hip-hop group, along with Malike Burke. As a producer, I have worked on records with a variety of local and commercial labels, including BlueNote. Most recently, I collaborated with Eric Revis on his latest album, “Sing Me Some Cry.” Some of my other recent collaborations have included industry heavyweights Aloe Blacc, JD Allen, Caron Wheeler, Orrin Evans, Oliver Lake, Nasheet Waits as well as a host of up-and-coming artists. I have also held teaching positions at University of Nebraska at Omaha, Omaha Public School District and Bellevue Public School District. As founder of Dojo Percussion and its parent company DMgroove Drum Dojo, we aim to reach the masses through the power of music and percussive art.
Today, my focus is on MAKING music and collaborating with other artists to create unique sounds.
Bassist – Eric Revis
One of the most talented and accomplished musicians of his generation, Grammy Award-winning bassist and composer Eric Revis has, over the past 15 years, become an important voice in jazz. Branford Marsalis states, “Eric’s sound is the sound of doom; big, thick, percussive.” Scores of musicians across various disciplines agree. Revis has performed and recorded with Betty Carter, Peter Brotzmann, Jeff “Tain” Watts, Kurt Rosenwinkel, Steve Coleman, Ralph Peterson, Lionel Hampton, McCoy Tyner, Andrew Cyrille, and Tarbaby (the experimental trio he tri-leads with Orrin Evans and Nasheet Waits).
Manning the bass chair with Branford Marsalis’ powerfully flexible quartet since 1997, Revis has also recorded four brilliant albums as a leader. 2004’s Tales of the Stuttering Mime and 2009’s Laughter’s Necklace of Tearshave both revealed his startling range as a musician and composer. Informed by his past but not tethered to it, a glimpse into the musical trajectory of this artist is indelibly clear on his latest release Parallax (Clean Feed ) and the soon to be released City of Asylum (Clean Feed).
“Tales of the Stuttering Mime was an amalgam of songs I’d been composing for quite some time,” Revis explains. “Being that there were a lot of different influences at play, it required that I use various band configurations on almost every tune, which was great in that I had a very real connection to all of the musicians involved.” With Laughter’s Necklace of Tears the same conceptual construct was in place in terms of the confluence of musical influences, but the goal was to present it in a more cohesive fashion in terms of having one group navigate the songs for the record as opposed to five or six”.
Conceptually improvisational and thematically broad, Parallax (Clean Feed) is timeless and borderless. The albums’ approach is one of inclusion, extrapolation and exploration. Joined by Jason Moran, Ken Vandermark and Nasheet Waits, it is a true document of Revis’ growth as a composer, bassist and sounding board. As on previous recordings, Revis’ playing is personal and distinctive: his tone deep and woody, his execution, agile, melodic and clear. A musical polyglot, Revis is comfortable in any setting, any direction. His skills as a band leader and composer are equally profound and inspiring.
Alto Saxophonist – Darius Jones